Module 7 - Lesson 2

Slide

Instructor: Dan Holton Dan Holton
7 min
  • Beginner
  • All Styles

Exercices

  • Slide_exercise#1

  • Slide_exercise#2

  • Slide_exercise#3

  • Slide_exercise#4

  • Slide_exercise#5

  • Slide_exercise#6

  • Slide_exercise#7

How to Do a Slide on Guitar? Techniques and Common Pitfalls

Finding Your Groove with Slides

Slides are a staple in guitar playing In all styles, such as blues, rock, and even jazz. They add smoothness, flair, and a vocal-like quality to your notes. But let’s be honest: many beginners struggle to get them right. The sound often cuts out too soon, or the note rings out awkwardly instead of gliding effortlessly. If that sounds familiar, don’t worry. With the right approach, you’ll soon master the nuances of how to do a slide on guitar and integrate them into your playing naturally.

The Mechanics of a Clean Slide

At its core, a slide is about transitioning between two notes without lifting your finger off the fretboard. Sounds simple, right? In theory, yes. In practice, it’s all about balance: too much pressure and you’ll get an uneven, clunky sound and too little and the note will disappear before it even reaches its destination. A common mistake is not maintaining even pressure throughout the motion, which leads to inconsistent volume and sustain.

Start by gripping the neck comfortably, positioning your thumb over the top for extra control. Any finger can be used, but beginners often start with the second or third finger. Try sliding from the fifth fret to the seventh fret while keeping the pressure consistent. Make sure you land at the end of the fret, not in the middle or at the beginning. This small adjustment dramatically improves clarity.

Styles of Sliding (More Than One Way to Move)

Slides are more versatile than you might think. Guitarists like David Gilmour and Eric Clapton use them expressively, blending them into solos and melodic lines. But not all slides sound the same: experimenting with different approaches will help you develop control and musicality.

  • Ghost note slides: Here, the first note is barely heard, making the emphasis fall on the note you’re sliding to. This is a great way to add smoothness to your phrasing.
  • Accentuated slides: Instead of ghosting the first note, you pick it clearly before sliding. This gives a distinct articulation to both notes.
  • Sustained slides: A second pick stroke after the slide keeps the note ringing longer, a technique often used in blues and rock lead playing.

Another fun approach is sliding into a note from below by starting anywhere on the neck and moving quickly up to the target note. It creates a dramatic effect, common in classic rock solos. Conversely, sliding down and away from a note helps blend phrases together, creating a fluid, vocal-like expression.

Bringing Slides into Your Playing: Practical Tips

Now that you understand the mechanics and styles, how do you actually make slides part of your everyday playing? The best way is through repetition by integrating slides into scales, riffs, and solos.

  • Practice sliding between chord tones within a progression (for example, sliding into a barre chord shape from a half step below).
  • Try incorporating slides into simple solos: start with a blues lick and swap out hammer-ons or bends for slides.
  • Use slides in arpeggios to create a more fluid sound, especially in lead lines.

If you want to take things further, experiment with a pick slide, a classic rock trick where you scrape the pick along the low strings for a gritty, percussive effect. Just make sure you’re using enough distortion for the sound to really cut through.

Why Slides Are Tricky (And How to Fix Them)

If you’ve ever tried slides and thought, “Why does this sound weak?” you’re not alone. Many beginners run into common issues, including:

  • Not applying enough pressure: The note fades out before reaching the next fret.
  • Pressing too hard: This can create an unpleasant, dragging noise.
  • Stopping at the wrong spot: Ending a slide too early or in the middle of the fret creates a muted or dull sound.
  • Rushing the motion: A good slide should sound intentional, not hurried.

Making Slides a Natural Part of Your Playing

Slides aren’t just about moving between notes; they’re about expression. When done right, they can make your playing sound effortless and dynamic. The key is consistent practice and listening to how pros use slides in different genres. Pay attention to players like Slash, Stevie Ray Vaughan, or even John Mayer, who use slides to add emotion to their phrasing.

Start experimenting with different types of slides today and see how they transform your playing. The more you practice, the more natural and expressive your slides will become.

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